Post-Production has begun again! Oh, now it’s over again.
Nathan here. Just a quick update for curious minds. Logan and I bought our own edit system (a used mac with Final Cut Pro) so we can restart post-production and finish this sucker. Well, as soon as we got it home, the thing develops one of them show-stopping type technical hiccups which grinds us back to a stop. Sucks, but we’ll probably have it fixed in about a week or so.
A few weeks ago Logan and I attended a pleasant little three hour seminar about film festival strategy. While it was, by in large, not particularly all that wonderful, I did get two or three really important questions answered, which is good, because now our film festival strategy is now completely different.
What the plan is now: have a private screening for the film, inviting those who helped make their movie, their family, and a few friends. But the important detail is that it will be invitation only. This then excludes it from being a general audience World Premiere … which is what these festivals wants. If we start renting spaces and showing the movie to anyone who wants to see it, we screw ourselves over … atleast until the movie has hit one or two solid festivals
The first fest we’re aiming for is the Sedona International Film Festival, and then the Phoenix Film Festival.
Saturday, June 03, 2006
Principal Photography Complete
Whew! Principal Photography is DONE! All the majors scenes with all the major actors are in the can (…although there is no “can” with digital…).
That last weekend was particularly brutal, specifically in the troubleshooting department. We couldn’t get the location we needed and were force to jury-rig our office scene cut-aways in a hallway. Car problems, turned off cell phones, and all the usual hiccups caused several scheduling migranes. But, in the end, we achieved the primary goal: wrap Daniel for the movie. Daniel Brodie (aka Billy) is literally in every scene in the movie, so finishing his work on the film is a big deal. Plus, now he can finally shave! 🙂 I’m extremely grateful for his commitment, which for this project has been longer investment of time than even any of the crew members (excluding myself). Yay Billy.
So, the kinda stuff that still needs to be shot are the Happy Red Drink Commercial, some inserts of locations, and the remaining Nurse and Stranger scenes. It could probably knocked out in one full day, but I doubt the scheduling Gods likes us that much…
I’m hoping the wrap party goes well, we’re preparing for that at my house. I sent out the invites a few days ago. Next up is finishing the edit, shooting what’s left, and getting some real music.
Wednesday, May 24, 2006
The End is Near… in a good way
Hey, Nathan here!
Just a quick production update. This weekend (May 26, 27, and 28) we’re finishing principal photography on Billy the Blood Donor! Yay! That means all the main actors will be wrapped. There’ll of course still be a few “second unit” kinda stuff left to shoot: the Happy Red Drink Commerical, some exteriors, and those shots with the Stranger …
So, this means editing will soon resume, and that the wrap party is coming up. I’m still figuring out when and where… I’ll let you know.
A second clip from the movie is coming to the website soon, probably after this weekend … so stay tuned!
Wednesday, May 10, 2006
Rough Cut notes
Hey everyone! Nathan here. I don’t know if everyone would be interested in this, but here is a sample of some of my notes from screening the Rough Cut (or feedback I got from others). Of course I left out stuff like, “Man, Logan sucks! Why does Logan suck so much?!” and “Did Logan even read his own script?!? Why is he doing that?! OMG!!”, etc.
Hopefully this will give you an insight into the whole editorial process. There may be context missing, but that just makes it more … uh, exciting!
SAMPLE OF THE ROUGH CUT NOTES
* Add more transitional time between coffeeshop and American Blood scene. Maybe shoot something with Billy outside before hand.
* Coffee shop: Still too slow in the beginning. DAMMIT!
* Coffee shop: Billys stand in triumph is awkward in cutting.
* Life Is But A Dream scene: More ‘laugh time after Shays “It could be.” It gets a big laugh and people wont hear the next line.
* We need something looming after Billy & Frank 2, to move into the more serious “getting to the bottom of this” mood. Maybe sort of a Billy POV coming down the hall. Something for the audience to change gears.
* Billy & Sherry at Sherrys house color correction is too green in parts.
* Angry Crowd scene: cut the inaudible line, the bad line, and the Clinton line. Just cut from the arms pointing to Are we the best Billy?
* After Lionels Tour, the overhead shot of the board room, the table looks too wrinkly. Craig says it makes our movie look really low budget (which it is of course). Darken it or just go to close up? I can fix it in photoshop and repaint the image of the table.
* Its been said twice now that Lionel’s tour is just a BIT too long, which I never felt, but where to trim?
* Billy and Sherry at ASU: Cutting is too restrictive. Look for more options.
* Is Billy sleeping on the doorsteps at American Blood too much? Cut it? Shoot something to prop it up?
* Lower Depths: Got a really good response, but tighten up just a bit.
* Board Room: Need more shot variety on Rochester.
* Need a better transition into slo-mo sequence.
* Final Confrontation: Add Logans reaction to “Farty the Space Age Dinosaur”. It was pretty good reaction, I just left it out for some reason.
* Billy & Frank #1: Still too long. Take out Jazz Odysessy (a line even Logan admitted he didn’t understand)??? That might help. I need to find a way to cut and emphasize the demo tape rather than trivialize it. The test part is unecessaruy, but I cant find a way around it.
Sunday, April 30, 2006
Rough cut impressions and your own concept of the movie
The feedback from the rough cut is really good! There’s still a lot of room for improvement, of course, and a lot of that is being discussed. The first screening went the best. Maybe it was just the energy of seeing it together for the first time. Even I hadn’t seen it all in one sitting until then.
I’m finding it’s important, at some point in time, to watch your film (alone preferably) and burn a final opinion of it in your mind. Like a snap shot you hold on to, for better or for worse. Because, you’ll soon find, your own image of what you made will be rigorously tested. One of the first lessons you learn when screening your movie to complete strangers, or even close friends, is that they’ll have wildly different opinions about everything. One will say “this actor brings down the whole production!! Can you recast them?! I think you should…”, while someone else will say (about the same actor) “they were my favorite! Why aren’t there more scenes with them, dammit?!”
When these kinds of passionate opinions first fly at you, you take everything to heart. It’s all very serious. Sort of like when I was writing drafts of my first feature film, Forever Midnight, I’d distribute copies to people I knew or didn’t know. From that, whole characters would get rewritten or killed off, subplots would be called into question, and mostly dire of all, I’d forget what I thought the story was about.
Right, so I don’t do that anymore. Oh, sure, I give out copies of scripts I’m working out, but just to people whose creative compass I trust, like my friend Craig who’s also a writer. He knows what to say that will help in terms of writing, he shares my sense of humor, plus he’s easily bored and will tell you so.
I guess the moral of the story is just take it all in stride. But I always listen carefully for what they’re really trying to say. Feedback is always imporant, but make sure who have a certain confidence in yourself as an artist. Now, I’m the first to criticize my own performance hell, I can’t bare to watch many of my own movies because I keep tearing them apart.
Usually the serious ones I can’t really watch again. The funny, goofy movies have atleast a certain charm to them.
I think next bloggitude I’ll post some of the rough cut notes I’ve made, or got from the others, just for the hell of it. Not all, mind you … but some. 😉